BIBLIOGRAPHIC CITATIONS
Bourgault du Coudray, Chantal. The Curse of the Werewolf: Fantasy, Horror, and The Beast. I. B. Tauris & Co Ltd, 2006.
Browning, John Edgar, and Caroline Joan (Kay) Picart, editors. Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture. The Scarecrow Press, 2009.
Butler, Erik. Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe 1732-1933. Camden House, 2010.
Click, Melissa A., et al., editors. Bitten by Twilight: Youth Culture, Media & the Vampire Franchise. Peter Lang Publishing, 2010.
Dennis, Michael. “Interview: Kevin Grevioux Talks Transition To Screenwriting, Race As A Factor, 'I, Frankenstein' & More.” IndieWire, Indiewire, 23 Jan. 2014, www.indiewire.com/2014/01/interview-kevin-grevioux-talks-transition-to-screenwriting-race-as-a-factor-i-frankenstein-more-162438/.
Giffney, Noreen, and Myra J. Hird, editors. Queering the Non/Human. Ashgate Publishing Limited, 2008.
Gilmore, David D. Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. University of Pennsylvania Press, 2003.
Hogle, Jerold E, editor. The Cambridge Companion Guide To Gothic Fiction. Cambridge University Press, 2002.
Hunt, Leon, et al., editors. Screening the Undead: Vampires and Zombies in Film and Television. I. B. Tauris & Co Ltd, 2014.
Ingebretsen, Ed. At Stake: Monsters and the Rhetoric of Fear in Public Culture. University of Chicago Press, 2001.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Columbia University Press, 1982.
McBride, Danny. Underworld. EntertainColumbia TriStar Home Entertainmentment in Video, 2003.
McNally, David. Monsters of the Market Zombies, Vampires, and Global Capitalism. Haymarket Books, 2011.
Mittman, Asa Simmon, and Peter J. Dendle, editors. The Ashgate Research Companion to Monsters and the Monstrous. Ashgate Publishing Limited, 2013.
Otten, Charlotte F. A Lycanthropy Reader: Werewolves in Western Culture. Syracuse Univ. Pr., 1986.
Scott, Niall, editor. Monsters and The Monstrous: Myths and Metaphors of Enduring Evil. Vol. 38, Rodopi, 2007.
Smith, Michelle J. “The postmodern vampire in ‘post-race’ America: HBO’s True Blood”. Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present Day. Edited by Same George and Bill Hughes. 192-209.
Stoker, Bram, and Roger Luckhurst. Dracula. Oxford University Press, 2011.
INTERVIEWS
Burlage, Bridget. “Gothic Roots Podcast: Bryan Norton.” 8 Apr. 2018.
Burlage, Bridget. “Gothic Roots Podcast: Daniel Horne.” 5 Apr. 2018.
Burlage, Bridget. “Gothic Roots Podcast: Jesse Weiner.” 22 Apr. 2018.
MUSIC
Sonicfreak. “Space Ambience.wav.” FreeSound.org, 16 Jan. 2013. https://freesound.org/people/Sonicfreak/sounds/174450/
Cabled_mess. “SciFi Ambience 14062016.” Freesound.org, 20 June 2016. https://freesound.org/people/cabled_mess/sounds/348143/
Jeo. “raven_corvus-corax_chorus.mp3.” Freesound.org, Denmark, 17 Oct. 2014. https://freesound.org/people/jeo/sounds/251789/
Hannes Kastner . “Toccata And Fugue In D Minor, BWV 565.” Bach, J.S.: Organ Music - Preludes and Fugues / Toccata and Fugue in D Minor / Chorale Preludes, Hong Kong, 1 Jan. 1988.
Mitchelk. “ScaryAmbient001.” Gears Of Destruction, Freesound.org, 7 Dec. 2011. https://freesound.org/people/mitchelk/sounds/136774/
Greek555. “Prometheus.” Greek, Freesound.org, 29 Apr. 2018. https://freesound.org/people/Greek555/sounds/426920/
PHOTOGRAPHY
Horrigan, Sarah. “Haunted Woodland.” Haunted Woodland, Flickr.com, 10 Jan. 2013, www.flickr.com/photos/horrigans/8367631584/in/photolist-rbFsaL-6Kw5qL-dKqim5-nMfDzX-MoFbh-qiZx1M-qvqruQ-9i13ZZ-9xvPEs-nz3ZJH-edTTmQ-mwimsK-pggJV8-8Z926U-8QbAxn-nCKS2S-9e9KnC-dQ1B2E-9zbZBk-dUwWNe-9Wmk9Q-pJQzxN-hjurrn-rbwzwk-dB4pKa-duZ1b4-bAfBMU-h26Mvb-d66QDE-63tsFE-nFNUtz-aEukcY-3ba2uU-rdbp4r-bmdG3p-9mQayD-8gSACh-2k1cqK-86FG8e-e6TH8X-5G3sGo-8HHxyY-bdja66-aHKSAH-dx5p3b-99un75-8FrWQ-d4SK91-omUF4s-ejSvZm/.
Lospalluto , Frank D. “Raven.” Raven, Flickr.com, www.flickr.com/photos/chloesview/.
ART CREDIT
Thank you to my dear friend, Val Malek, who created the artwork for the podcast.